‘Predator: Eyes of the Demon’: New Book Features 15 Original ‘Predator’ Stories!

Despite its title, road to nowhere has a conclusive ending. And a powerful one, too. Christopher PikeThe 1993 novel puts its troubled protagonist behind the wheel, shadowing her every move and thought as she drives along the California coast one fateful night. The road ahead of her is unclear, but one thing is for sure: Teresa’s life will never be the same after picking up two hitchhikers along the way.

In typical Pike fashion, road to nowhere it starts near the middle instead of at the beginning. And the inciting incident that made Teresa Chafey suddenly take off isn’t clear until the last few chapters. All readers really know so far is that this 18-year-old is upset about something her (ex) boyfriend Bill did to her, and she thinks running away from her will make her feel better and him worse. Of course, there is always more to the story than meets the eye. In fact, Teresa says that “Bill was one of the reasons she ran away,” but she also adds that he “wasn’t the only one, nor the greatest.”

A naive driver who takes strangers hardly ends well in fiction, but Teresa feels lost and alone. Her admittedly strange traveling companions, with a rich and tangled history, are the distraction she sorely needs from her own problems. And Freedom “Free” Jack and Poppy Corn are just as funny as their unique names. They don’t get along in the slightest, however their specific type of bickering suggests that they were a couple at some point.

To break the ice and keep things lively inside the car, the two travelers entertain Teresa with a long and winding anecdote about their friends, John Gerhart and Candice “Candy” Manville. It is a story full of pain and shock, and light and dark. In exchange, Teresa reluctantly explains the reason for her unexpected trip. At least the one she believe in fact. Meanwhile, Teresa’s left wrist mysteriously aches and her body becomes feverish with each leg of the long journey.

Christopher Pike

It’s not hard to understand why Teresa was so taken with John and Candy. Free describes them with deep knowledge and passion. These two intertwined souls first met in high school; John was poor, abrasive, and smart, while Candy was rich, creative, and daydreaming. They eventually fell in love despite their differences, and until one very bad day, they were meant to be together. Unfortunately, this unfortunate incident separated them for several years. From there road to nowhere It bares its fangs as John’s tragic life unfolds in excruciating detail, and Candy’s journey into adulthood is one hurdle after another.

John and Candy each go through hell. From losing two fingers at work to becoming addicted to painkillers and heroin, John is never given a fair chance at life. And Poppy then explains how Candy had an affair with a teacher, she got pregnant and eventually flunked out of college. However, unlike John, Candy manages to turn things around; she works hard to become a nurse and take care of her son, she reconciles with her parents and finds a stable boy. That’s why what happens next hurts especially. Pike reunites high school sweethearts at a convenience store, only for them to later die in each other’s arms.

The epic story of Free and Poppy tends to overshadow everything else that happens in road to nowhere, including the main character. However, as everyone approaches some sort of end point, it becomes clear that the troubled history of the two strangers’ pasts has a lot to do with Teresa’s future. Amid the shared narrative of her peers, Teresa intermittently divulges her own drama, beginning with how Bill betrayed her not once but twice. Not only did Teresa’s ex-boyfriend go behind her back and audition her private music at a nightclub, Bill took an interest in Teresa’s best friend René. It’s not like her emotional adventure caught her off guard; she had an idea ever since Bill and Rene met. However, confirmation of the link from her sends Teresa spiraling; she gives in to her immediate emotions and does things that she truly regrets.

Teresa driving in circles, never finding a detour or arriving at a specific destination after what seems like an eternity is a great hint of things to come. The only other signs of life over the course of this dark and stormy night are found first in a spooky castle and then in an all-night Catholic church. Free accompanies Teresa to the castle to meet her “mother of hers”, a woman whose psychic abilities help Teresa understand why Bill grew close to Rene and why her loved ones keep her at a distance. And at the church where the Latin mass is held overnight, Poppy urges Teresa to see her “father of hers” and confess to her.

Christopher Pike

There is a constant battle between opposing forces in road to nowhere. Whether it’s good and evil, life or death, or most importantly, past and future, Teresa finds herself caught up in a mystical tug-of-war of her own making. At the castle, Teresa said that she “didn’t want to move on, not yet,” and that she “wanted to better understand why her past had died the death that she had.” The church scenes represent the future, or rather what awaits Teresa as she continues down this path. She opens her heart to the priest, admitting that she almost killed Bill and Rene in their sleep, shortly before their road trip. Only when the priest asks if there is something more to the story, something forgotten or denied, Teresa flees and deprives herself of a different future.

The trio’s last stop is at a convenience store, not unlike the one where John and Candy perished in a confrontation with the police. The events of their deadly meeting unfold here with variations; Free now points the gun at the employee, and Teresa is his accomplice. Only now Teresa finally remembers what happened after leaving Bill’s house. The knife she planned to kill him and Rene with, she took home and used on herself. Now, lying in a bathtub, clinging to life because no one knows she is dying, Teresa is bleeding to death from the very wrist that has been hurting her all night.

Christopher Pike he takes the road less traveled in his novel. The author could have easily presented a game of cat and mouse between driver and hitchhiker, but instead delivers a gripping redemption story with a considerable moral twist on the tail. And while his contemporaries generally steered clear of religion in their young adult novels, the intrepid author did address the issue, albeit in a roundabout way. Readers may end up being more drawn to the story within a story; The narrative fragments of John and Candy are tremendous and worthy of his own book. However, his tragedy, really the one in Free and Poppy, if readers haven’t figured that out already, complements Teresa’s own journey. And in return, her personal growth gives her passengers the chance to put the past behind them.


There was a time when the young adult section of bookstores was full of terror and suspense. These books were easily identified by their bold fonts and striking cover. This remarkable subgenre of YA fiction thrived in the 1980s, peaked in the 1990s, and finally came to an end in the early 2000s. NOW horror of this sort is indeed a thing of the past, but the stories live on today. buried in a book. This recurring column reflects on the nostalgic novels that still haunt readers decades later.

Christopher Pike

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